dead or alive
byBon Jovi
byBon Jovi
Play each string and match the pitch using your microphone. Targets are set to this song’s exact tuning (BDDDDD).
Start in standard tuning (E-A-D-G-B-E) and change 6 of 6 strings to play “dead or alive”:
| String | Standard | Target | What to do |
|---|---|---|---|
| String 6 | E2 | B1 | Tune down 5 semitones |
| String 5 | A2 | D2 | Tune down 7 semitones |
| String 4 | D3 | D2 | Tune down 12 semitones |
| String 3 | G3 | D2 | Tune down 17 semitones |
| String 2 | B3 | D2 | Tune down 21 semitones |
| String 1 | E4 | D2 | Tune down 26 semitones |
"dead or alive" by Bon Jovi is played in Custom Tuning (BDDDDD) (BDDDDD). Starting from standard tuning (E-A-D-G-B-E), you retune 6 of 6 strings: string 6 down to B, string 5 down to D, string 4 down to D, string 3 down to D, string 2 down to D, string 1 down to D. Overall string tension drops, with the biggest change being 26 semitones down. 1270 other songs in our catalog use Custom Tuning (BDDDDD).
Already tuned to BDDDDD? These tunings are just one small change away.
Strings and tools that make playing "dead or alive" in Custom Tuning (BDDDDD) easier.
Recommended gauge .013–.072. The bass strings drop very far below standard; a baritone-weight set stops them from flopping and buzzing.
A headstock tuner makes switching in and out of this tuning quick, even on stage or without a mic.
Retuning 6 strings means a lot of turning — a winder speeds it up and trims new strings too.
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"dead or alive" is played in Custom Tuning (BDDDDD): BDDDDD, from the lowest to the highest string.
Start from standard tuning (E-A-D-G-B-E). String 6: tune down 5 semitones (E2 → B1). String 5: tune down 7 semitones (A2 → D2). String 4: tune down 12 semitones (D3 → D2). String 3: tune down 17 semitones (G3 → D2). String 2: tune down 21 semitones (B3 → D2). String 1: tune down 26 semitones (E4 → D2).
Use a .013–.072 set. The bass strings drop very far below standard; a baritone-weight set stops them from flopping and buzzing.
Once tuned to BDDDDD, try playing these tracks next: