How to Tune to DADDAD (Bruce Palmer Modal)
An extreme drone tuning where four of the six strings are tuned to D and the remaining two to A, creating a massive unison/octave effect. Named after Bruce Palmer (bassist of Buffalo Springfield), this tuning produces a sitar-like droning quality that's hypnotic and otherworldly. Stephen Stills used it to create some of Crosby, Stills & Nash's most distinctive acoustic textures.
Start in standard tuning (E-A-D-G-B-E) and change 4 of 6 strings:
| String | Standard | Target | What to do |
|---|---|---|---|
| String 6 | E2 | D2 | Tune down a whole step |
| String 5 | A2 | A2 | Leave as is |
| String 4 | D3 | D3 | Leave as is |
| String 3 | G3 | D3 | Tune down 5 semitones |
| String 2 | B3 | A3 | Tune down a whole step |
| String 1 | E4 | D4 | Tune down a whole step |
Stephen Stills reportedly learned this tuning from Bruce Palmer, the bassist of Buffalo Springfield. Stills used it for the hauntingly beautiful acoustic piece "4 + 20" on the Crosby, Stills, Nash & Young album "Déjà Vu" (1970). The song's title refers to being 24 years old — the age Stills was when he wrote it about his experience of poverty.
String Tension & Setup Tips
Gear for DADDAD (Bruce Palmer Modal)
Tools that make tuning to D - A - D - D - A - D easier.
D'Addario Universal Micro Headstock Tuner
A headstock tuner makes switching in and out of this tuning quick, even on stage or without a mic.
D'Addario Pro-Winder (winder + cutter)
Retuning 4 strings means a lot of turning — a winder speeds it up and trims new strings too.
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